Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013, Proceedings /
Evolutionary and Biologically Inspired Music, Sound, Art and Design Second International Conference, EvoMUSART 2013, Vienna, Austria, April 3-5, 2013, Proceedings / [electronic resource] :
edited by Penousal Machado, James McDermott, Adrian Carballal.
- 1st ed. 2013.
- X, 193 p. 87 illus. online resource.
- Theoretical Computer Science and General Issues, 7834 2512-2029 ; .
- Theoretical Computer Science and General Issues, 7834 .
This book constitutes the refereed proceedings of the Second International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2013, held in Vienna, Austria, in March 2013, colocated with the Evo* 2013 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. The 11 revised full papers and 5 poster papers presented were carefully reviewed and selected from 36 submissions. They cover a wide range of topics and application areas, including: generative approaches to music, graphics, game content, and narrative; robot gait creation; music information retrieval; computational aesthetics; the mechanics of interactive evolutionary computation; and the art theory of evolutionary computation.
9783642369551
10.1007/978-3-642-36955-1 doi
User interfaces (Computer systems).
Human-computer interaction.
Algorithms.
Artificial intelligence.
Digital humanities.
User Interfaces and Human Computer Interaction.
Algorithms.
Artificial Intelligence.
Digital Humanities.
QA76.9.U83 QA76.9.H85
005.437 004.019
This book constitutes the refereed proceedings of the Second International Conference on Biologically Inspired Music, Sound, Art and Design, EvoMUSART 2013, held in Vienna, Austria, in March 2013, colocated with the Evo* 2013 events EuroGP, EvoCOP, EvoBIO, and EvoApplications. The 11 revised full papers and 5 poster papers presented were carefully reviewed and selected from 36 submissions. They cover a wide range of topics and application areas, including: generative approaches to music, graphics, game content, and narrative; robot gait creation; music information retrieval; computational aesthetics; the mechanics of interactive evolutionary computation; and the art theory of evolutionary computation.
9783642369551
10.1007/978-3-642-36955-1 doi
User interfaces (Computer systems).
Human-computer interaction.
Algorithms.
Artificial intelligence.
Digital humanities.
User Interfaces and Human Computer Interaction.
Algorithms.
Artificial Intelligence.
Digital Humanities.
QA76.9.U83 QA76.9.H85
005.437 004.019