Music, Mind, and Embodiment [electronic resource] : 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers /

Contributor(s):

Material type: Text

TextSeries: Information Systems and Applications, incl. Internet/Web, and HCI ; 9617Publisher: Cham : Springer International Publishing : Imprint: Springer, 2016Edition: 1st ed. 2016Description: XIII, 483 p. 287 illus., 100 illus. in color. online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9783319462820

Subject(s):

Additional physical formats: Printed edition:: No title; Printed edition:: No titleDDC classification:

025.04 23

LOC classification:

QA75.5-76.95

Online resources:

Click here to access online

Contents:

Sound, Motion and Gesture -- Digital Musical Instruments, Embodiment and Performance -- Composition Tools -- Data Mining, Music Information Retrieval and Artificial Intelligence -- Music Analysis, Music Generation and Emotion.

In: Springer Nature eBookSummary: This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.

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This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.

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