000 | 01682cam a2200325 a 4500 | ||
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001 | 15995290 | ||
005 | 20230802020002.0 | ||
008 | 091124s2009 enka b 001 0 eng d | ||
010 | _a 2009517555 | ||
020 | _a9780195321050 | ||
035 | _a(OCoLC)ocn319635231 | ||
040 |
_aCXP _cCXP _dBWX _dOCLCQ _dCDX _dVP@ _dNLGGC _dSTF _dDLC |
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042 | _alccopycat | ||
050 | 0 | 0 |
_aPN1994 _b.M59 2009 |
082 | 0 | 0 |
_a791.430 _221 _bMON-H |
084 |
_a24.31 _2bcl |
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084 |
_a05.37 _2bcl |
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100 | 1 | _aMonaco, James. | |
245 | 1 | 0 |
_aHow to read a film : _bmovies, media, and beyond : art, technology, language, history, theory _cJames Monaco ; with diagrams by David Lindroth. |
250 | _a4th ed., completely rev. and expanded. | ||
260 |
_aNew York : _bOxford University Press, _c©2009. |
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300 |
_a729 p. : _bill. ; _c24 cm. |
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504 | _aIncludes bibliographical references (p. 678-691) and indexes. | ||
505 | 0 | _aFilm as an art -- Technology : image and sound -- The language of film : signs and syntax -- The shape of film history -- Film theory : form and function -- Media : in the middle of things -- Multimedia : the digital revolution -- Film and media : a chronology -- Reading about film and media : a select library. | |
520 | _aJames Monaco discusses the elements necessary to understand how a film conveys its meaning, and, more importantly, how the audience can best discern all that a film is attempting to communicate. | ||
650 | 0 | _aMotion pictures. | |
906 |
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942 |
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