000 | 03793nam a22006495i 4500 | ||
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001 | 978-3-540-39900-1 | ||
003 | DE-He213 | ||
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007 | cr nn 008mamaa | ||
008 | 100624s2004 gw | s |||| 0|eng d | ||
020 |
_a9783540399001 _9978-3-540-39900-1 |
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024 | 7 |
_a10.1007/b12000 _2doi |
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072 | 7 |
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_aComputer Music Modeling and Retrieval _h[electronic resource] : _bInternational Symposium, CMMR 2003, Montpellier, France, May 26-27, 2003, Revised Papers / _cedited by Uffe K. Wiil. |
250 | _a1st ed. 2004. | ||
264 | 1 |
_aBerlin, Heidelberg : _bSpringer Berlin Heidelberg : _bImprint: Springer, _c2004. |
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300 |
_aX, 254 p. _bonline resource. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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490 | 1 |
_aLecture Notes in Computer Science, _x1611-3349 ; _v2771 |
|
505 | 0 | _aSome Projects and Reflections on Algorithmic Music -- Real-Time Beat EstimationUsing Feature Extraction -- Towards a General Architecture for Musical Archive Information Systems -- The Study of Musical Scales in Central Africa: The Use of Interactive Experimental Methods -- Evolving Automatically High-Level Music Descriptors from Acoustic Signals -- ‘Ambiguous Live’ – Exploring Collaborative, Dynamic Control of MIDI Sequencers -- Characterization of Musical Performance Using Physical Sound Synthesis Models -- Conserving an Ancient Art of Music: Making SID Tunes Editable -- “GMU” – An Integrated Microsound Synthesis System -- What Are We Looking for? -- Extraction of Structural Patterns in Popular Melodies -- Musical Pattern Extraction Using Genetic Algorithms -- Automatic Extraction of Approximate Repetitions in Polyphonic Midi Files Based on Perceptive Criteria -- Deriving Musical Structures from Signal Analysis for Music Audio Summary Generation: “Sequence” and “State” Approach -- Musical Style Classification from Symbolic Data: A Two-Styles Case Study -- FMF(Fast Melody Finder): A Web-Based Music Retrieval System -- The Representation Levels of Music Information -- “Leçons”: An Approach to a System for Machine Learning, Improvisation and Musical Performance -- About the Role of Mapping in Gesture-Controlled Live Computer Music -- Designing Musical Interfaces with Composition in Mind. | |
650 | 0 | _aSignal processing. | |
650 | 0 | _aInformation storage and retrieval systems. | |
650 | 0 | _aDatabase management. | |
650 | 0 | _aApplication software. | |
650 | 0 | _aMultimedia systems. | |
650 | 0 | _aUser interfaces (Computer systems). | |
650 | 0 | _aHuman-computer interaction. | |
650 | 1 | 4 | _aSignal, Speech and Image Processing. |
650 | 2 | 4 | _aInformation Storage and Retrieval. |
650 | 2 | 4 | _aDatabase Management. |
650 | 2 | 4 | _aComputer and Information Systems Applications. |
650 | 2 | 4 | _aMultimedia Information Systems. |
650 | 2 | 4 | _aUser Interfaces and Human Computer Interaction. |
700 | 1 |
_aWiil, Uffe K. _eeditor. _4edt _4http://id.loc.gov/vocabulary/relators/edt |
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710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer Nature eBook | |
776 | 0 | 8 |
_iPrinted edition: _z9783540209225 |
776 | 0 | 8 |
_iPrinted edition: _z9783662193495 |
830 | 0 |
_aLecture Notes in Computer Science, _x1611-3349 ; _v2771 |
|
856 | 4 | 0 | _uhttps://doi.org/10.1007/b12000 |
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999 |
_c175175 _d175175 |