000 | 03279nam a22005895i 4500 | ||
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001 | 978-3-031-17985-3 | ||
003 | DE-He213 | ||
005 | 20240423130142.0 | ||
007 | cr nn 008mamaa | ||
008 | 230109s2023 sz | s |||| 0|eng d | ||
020 |
_a9783031179853 _9978-3-031-17985-3 |
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024 | 7 |
_a10.1007/978-3-031-17985-3 _2doi |
|
050 | 4 | _aQA76.9.U83 | |
050 | 4 | _aQA76.9.H85 | |
072 | 7 |
_aUYZ _2bicssc |
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_aCOM079010 _2bisacsh |
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_aUYZ _2thema |
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082 | 0 | 4 |
_a005.437 _223 |
082 | 0 | 4 |
_a004.019 _223 |
100 | 1 |
_aBaumann, Franziska. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut |
|
245 | 1 | 0 |
_aEmbodied Human–Computer Interaction in Vocal Music Performance _h[electronic resource] / _cby Franziska Baumann. |
250 | _a1st ed. 2023. | ||
264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2023. |
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300 |
_aXII, 81 p. 48 illus., 29 illus. in color. _bonline resource. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 |
_aSpringerBriefs on Cultural Computing, _x2661-8729 |
|
505 | 0 | _aIntroduction -- The embodied voice -- The mediated voice -- Embodied interface performance with gestural systems. | |
520 | _aThis SpringerBrief provides a unique insight into the practice and research of the connections between voice, HCI and embodiment. Specifically, it explores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creative practices between humans and computers in gestural live music performance, from the perspective of the embodied relationships created within such systems. Underlying practices, principles and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance are examined and a dynamic framework and tools for anyone wishing to engage with this subject in depth are presented. The book is essential reading not only for musicians, composers, researchers, application developers,musicologists and educators but also for students and tertiary institutions as well as actors and dramaturgs in a music context. . | ||
650 | 0 | _aUser interfaces (Computer systems). | |
650 | 0 | _aHuman-computer interaction. | |
650 | 0 | _aPerforming arts. | |
650 | 0 | _aTheater. | |
650 | 0 | _aVirtual reality. | |
650 | 0 | _aAugmented reality. | |
650 | 1 | 4 | _aUser Interfaces and Human Computer Interaction. |
650 | 2 | 4 | _aTheatre and Performance Arts. |
650 | 2 | 4 | _aVirtual and Augmented Reality. |
710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer Nature eBook | |
776 | 0 | 8 |
_iPrinted edition: _z9783031179846 |
776 | 0 | 8 |
_iPrinted edition: _z9783031179860 |
830 | 0 |
_aSpringerBriefs on Cultural Computing, _x2661-8729 |
|
856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-17985-3 |
912 | _aZDB-2-SCS | ||
912 | _aZDB-2-SXCS | ||
942 | _cSPRINGER | ||
999 |
_c185612 _d185612 |