000			01948nam a22002897a 4500
001			20710638
003			IIITD
005			20210118152254.0
008			181008s2019 mau b 001 0 eng c
010			_a 2018033389
020			_a9780262039734
040			_aLBSOR/DLC _beng _cLBSOR _erda _dDLC
042			_apcc
050	0	0	_aHM851 _b.B6743 2019
082	0	0	_a302.231
100	1		_aBolter, J. David.
245	1	4	_aThe digital plenitude : _bthe decline of elite culture and the rise of new media _cJay David Bolter.
260			_aLondon : _bMIT Press, _c©2019.
300			_axiv, 216 p. ; _c24 cm.
504			_aIncludes bibliographical references and index.
520			_a"There are two developments in the second half of the twentieth century have helped to define our media culture in the twenty-first. One is the rise of digital media: websites, videogames, social media, and mobile applications, as well as all the remediations of film, television, radio, and print that now appear in digital form. The other development is the end of our collective belief in what we might call Culture with a capital C. Since the middle of the twentieth century, traditional hierarchies of the visual arts, literature, and music as forms of creativity have broken down. This has been accompanied by a decline in the status of the humanities--literary studies in particular, but also history and philosophy. Jay Bolter's THE PLENITUDE is the story of how the dissolution of previously sacrosanct media institutions succumbed to the pervasive power of new forms of media. It is not an argument favoring an elite form of culture over popular culture, but rather a examination of how these changes have affected the divided societies we live in today"--
650		0	_aDigital media _xSocial aspects.
650		0	_aDigital media _xInfluence.
650		0	_aArts and society.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c25854 _d25854